Now Im back to tell you about a product, guaranteed to cure an even bigger problem. This a recnet PR photo. In the September 1971 Insider, reviewer Will Shapira profiled W. Amos Johnson, who did a two-hour jazz show on KUXL each Sunday. November 1966s In-Beat magazine included an interview with the stations new DJ and Program Manager, Ray Moss. It was to be a program format, readily identifiable concentrating on jazz, according to Burke. See the new transmitter here courtesy www.radiotapes.com, Aerial shot of the 9-tower array courtesy Tom Gavaras. Tom Kilbride was a DJ at KANO from 1960 to 1965. Optometrist George W. Young started radio station KMFT in 1923; his first broadcast was on January 13, 1924 from his house at 2219 N. Bryant. Their playlist is appealing, though their disk jockeys are somewhat obnoxious., Chuck Knapp: Fun times is rock & roll with the very talented 15/KSTP The Music Station staff in 1975. One young man was in a rest room with some others who were drinking, and he flashed a gun. As for ownership, that, too, is a jumble. One was the Uncle Elmer Show. A rural comedy production? Jim Foster was the Program Director. Jerry Telser, 10-2 electrifying the afternoon airwavesJohn Pete, 6-Midnight seasoning your evening with top pop hitswide-eyed George Murphy, holding sway with the night people from midnight to dawn. It was then owned by Todd Storz, one of the pioneers in programming to the baby boom generation with music that theretofor had been rarely heard on "white" radio stations. He had a pilots license so he rented an airplane and he and the engineer, Rey Lark, and someone else hopped in with Bob and flew through the night to Peoria where they picked up the transmitter. was WeeGee getting ready for the country format switch? Nick came up with WCOW, which was deemed somehow more dignified. It was also appropriate: their records were labeled either O for Old Time or W for Western. View more recently sold homes. Quick installation and adjustment. (Minneapolis Tribune, January 27, 1966). Fairchild subsequently dismissed the entire staff and overhauled both stations. Find out by playing this clip. The frequency was originally 1140 kc. Ill tell it right when I find it again. WDGY-AM (1130) - Charlie Van Dyke and Donald K. Martin - 10 MB (provided by Danny Sigelman Includes newscast and commercials for Anacin, Eastern Airlines, GAC Finance, Target, Fairview Chrysler Plymouth, Joyous Christmas LP at Beneficial Finance, Hansord Pontiac, Xerox, Sears, First Minnehaha National Bank, and Quality Mercury. Vineland Place and Oak Grove Street meet in front of WLOL with the Basilica of St. Mary visible in the background. WYOO was owned by Fairchild Industries, an Aeronautics company from Maryland that was looking to diversify. It was made by a student named Goodman, who financed the venture by selling $1 shares to his friends with a double-your-money guarantee. This station was pretty freewheeling and one could hear Jimmy Dean in the same breath as the Supremes. The Broadcasting Yearbook for 1983 indicates that the format was country. The why behind a cheeseburger. Last week Ed Skotch of KUXL announced plans to introduce features designed to cheer up the lonely housewives, and now Bill Stewart of WPBC says he has started a new format of happy music and other features of make people feel better.. The airchecks reflect a more middle-of-the-road format, but the Top 40 playlists from 1956-59 have a lot of rock n roll (with a polka thrown in for good measure). Try it for a week. Herb Oscar Anderson was the first disk jockey on the air with the new Top 40 rock n roll format that morning, and the jocks and the new sounds boosted the station from a tepid Number 4 to second place behind behemoth WCCO. On December 10, 1962, the station launched one of those call-in shows where people argued with the host, who was called Norman Frederick. The venerable family station bowed to pressure in 1954 and 55 and started playing rock n roll. Similar to the biggest Christmas cookie contest of 1963, in 1973 the station sponsored a contest for the biggest snowman. Metropolitan Radio moved to a new site, and built a new and modern transmission facility (4-tower complex west of Highway 100 in St. Louis Park) a broadcast service that brings it within clear signal range of thousands who could nevr before enjoy wtcn 1280 as easily as they wished. It now programs its oldies format along with local hosts in-house. While their job was to arrest one man with a gun, they instead barricaded the door of the hall with their night sticks and used tear gas to subdue the crowd. The call letters of KUXL changed to KYCR on May 19, 1988. MINNEAPOLIS / ST. PAUL, MINNESOTA Format: T40. Midge was the luck caller who got to shoot the turkey. Charlie does a ply on the Chicken Man radio series by introducing Donald as "the most fantastic newsman the world has ever known." How to get it to St. Paul? Preacher Paul. I will cut in on occasion with additional/alternate information from Will Jones of the Minneapolis Tribune. KRSI Radio was located at 4500 Excelsior Blvd. Schedules and staff were changing that winter of 1965, with Preacher Paul slipping into semi-retirement, working only Saturdays from 1 to 5:30, remotely from the Ebony Lounge. We looked at each other for a long time. By that time Elvis had hit it big with Heartbreak Hotel and Hound Dog a cover of a black record followed. Channel 63 was back! With the new sound of Metropolitan Radio coming in strong and clear, youll discover perhaps for the first time why so many more people are now enjoying wtcn 1280s outstanding programs in the Twin Cities. Paul caught on fire and was off the air? The request line was started in February 1968, with oldies and not just the same old ones being their mainstay. WMIN was reassigned to the 1400kHz in 1941. One of the big sponsors was the Celebrity Lounge, where you could hang out with the owners, Minnesota Twin Earl Battey and former Gopher quarterback Sandy Stephens. But was this the first opportunity that Twin Citians had to hear what came to be known as rock n roll on the radio? Top O The Radio Dial. Except that police reported that the incident only involved several youths. Oh wait! With a constant bombardment of loud jingles, the jocks would scream YEEEEWWWW ONE HUNDRED! and BOOGIE! when they werent giving the time, temperature (its 72 degrees in Frriiidleeeeey!) or bad jokes. In January 1965 it was reported that staff had increased from 19 to 27 since Red Owl purchased the station in 1961. I had to park on the highway and walk up the hill to the studios. The first lineup of DJs was Hall Murray, Phil Page, Sam Sherwood, Bob Chasteen, Bob Friend, Randy Cook, and Dick Halvorson John McCrae was the first General Manager, and Sam Sherwood held that position throughout the 60s. Cars were prevented from coming into the area from Interstate 94 at the Dale Street exit. He taped the call, didn't know it was me, and used it on the air. Personnel listed were: The stations format was described in the Yearbook as Urban Contemporary. http://twincitiesradioairchecks.com/wdgy1130tapes.html. When did they first hear this new music that some loved, some hated, some called just a fad, but few could ignore? He promised: One day it may be modern, the next day flavor of blues. The new owners immediately requested permission from the FCC to change the call letters back to WMIN. 1130 WDGY. The station was the first to put in the companys prepackaged Great American Country service. This get together included Jim du Bois, currently CEO and President of the Minnesota Broadcasters Association & formerly of KTCR-FM, WDGY, & K102, Mike Cunningham, former KTCR-FM Operations Manager, and myself, Rick Burnett (also formerly of KTCR-FM).Don talks about his early days in Iowa and tells how very disappointed his mother was when Don failed to get a job at country station KTCR-AM in 1963; instead he got a job at KDWB. Or when Bill Bennett 2-6 cuts in on Nancy Wilsons HOW GLAD I AM to tell her about THE BOY FROM IMPANEMA. Mob violence ensued and the car of KSTP-TV newsman Dave Margeson was smashed by rocks and a piece of wood; he was treated and released from the hospital. I continued on Highway 12 to Radio Drive. This is a good quality recording. As an example when your unpredictable Carson Rennie of 6-10 spins a yarn about Aunt Julias first trip to the Twin Cities. Billy G, the Prime Minister, started doing daily remotes from the Cassius Bar and Cafe on May 4, 1965, from 6 to 7 pm. A Super Soul Thirty countdown dated July 1, 1972, pictures DJ Thomas Love and Music Director Jimmy Smith (. Not sure where the photo above came from. Advertising sales for the stations paled in comparison to the competition, and managing both stations became a burden for the couple, so the Stewarts sold the station in 1972 to Fairchild Industries for $1.5 million. Tom G. Morris was promoted to station manager and Robert E. Bowdan was named sales supervisor. Glory of Love by the Four Knights. Its complex. The station was owned by the Peoples Broadcasting Company, founded by former WCCO announcer Bill Stewart and his wife Becky Ann. In an article in the February 1972 Insider, Tom Murtha noted that Glover was the prime mover in bringing more diversified programming to local radio. Glover was not the first to present underground music in the Twin Cities when he took on the overnight shift in 1969, George Fisher at KQRS had already been playing a diverse selection of underground rock, jazz, blues and comedy (Firesign Theatre, Cheech and Chong) for a couple of years. He was in town doing two shows at the Flame Nightclub at 16th and Nicollet in downtown Minneapolis. Two of them, a married couple, were from Minneapolis, and they had a loaded submachine gun in the trunk of their car and a .45 pistol under the seat. On December 1, 1964, KEVE was changed to KQRS Quality Radio Station, still playing classical music. James Brown and His Revue appeared at the Minneapolis Auditorium on April 25, 1967. From the Yesterhits of Yesterday compilation issued in 1967: In June of 1966, WDGY began programming Much More Music for its listeners in the Twin City Area. So they convinced Edwards to do it and he became Merle Hub Cap Edwards. The station again went dark, this time for good, but when? A free sample is waiting for you at any Provident Drug Store. Seriously, who thought progressive rock on AM was a good idea? watts) you could hardly pick up the station 5 miles to the south of the site, but the signal had an effective radiated power of 300,000 watts to the north and went right over the North Pole into the Soviet Union. The 9-tower array beaming 50,000 watts was used to produce one of the most restrictive signals in the USA. This is WWTC Spectrum. WDGY 40 STAR SURVEY Week *Ending* May 7, 1966 1. From 1973 to 1976 it was strictly Country. Jimmy was good friends with Tac Hammer, who was working at request radio KRSI at the time and also a former KDWB-AM jock. And, those cops took $350 in cash. Once outside the missiles became rocks. Sweet Potato, September 1979. His wry, understated wit, carefully studied word choice, and RELAXED delivery won him a following unheard of since the days of Murray-go-round on KDWB and Throckmorton at WLOL. Jim Ramsburg says that in 1956 we pulled our own music from the big record library with no rules or restrictions. The Twin Cities has many FM and AM radio stations. Storz's stations were heavy on promotion, headline-grabbing contests, and high profile dee-jays (usually using echo-chamber microphones). He also said that the Four Tops were two days away with an expected crowd of 2,000 or more at the Marigold Ballroom. Thats why wed like to call your attention to the music of KEEY-AM at 1400 on your standard radio dial. Checker recording star Little Milton, with local band Maurice McKinnis and His Fabulous Blazers, appeared at a dance at the Minneapolis Armory on Friday, April 12, 1968. In July 1969 the two were doing an underground show. Subscribe Now To Listen Your Favorite Songs On Demand! He tried to use the phones, but the wires all came into the building through the furnace room and they were already toast. The show was emceed by KUXLs Jack Harris and Billy G. Little Miltons hits were listed in an ad in the Insider as Were Going to Make It, Blind Man, and More and More.. To protect stations also on 1130 to the south and east, most of the power was directed north. It was great to have lunch with Donald K. Martinand talk about his career in broadcasting, which includes several stations in the Twin Cities. In the wake of the incidents, a committee was formed by the St. Paul Urban Coalition to investigate them. No Top Forty. Beatles Concert Photos of the Fab Four in 1966 with local radio talend from Cleveland's WIXY radio - Note a young Johnny Canton and Jerry Brooke who both went on to work at WDGY. A 15-year-old polio victim was smashed, face-first, into the pavement and sent home bleeding. Radio and Records magazine, March 18, 1977, courtesy Todd Mitchell, Only reference to Y-11 that came up in a search of the Strib. (And where would they get eggs?) Jackie Wilson was scheduled to perform at the Marigold on January 14, 1966, but didnt arrive until midnight, causing a near-riot at the ballroom when the 1,600 people in the audience became annoyed. Police were called and the City Council discussed the matter. Kamman produced live broadcasts from Mitchs Roadhouse in Mendota and hung out at the Club Casino in the Hotel St. Paul where the big bands played. Seven ways to listen:FM 92.1, FM 103.7, AM 740, FM 107.1 HD2, Live Stream at WDGYradio.com, Smart Speakers through TuneIn and the WDGY Phone App. Thanks to all contributors. On April 18, 1994, after 36 years, the 630kHz frequency went dark. The year closes out with the Fontane Sisters back with Seventeen, a pretty good song if done by Boyd Bennett and His Rockets, a rockabilly band. They all said the same thing, essentially: screw your non-cancelable contract. Advertisement. Jimmy also tries to give away WDGY Fortune Phone Cash to the Williams family. The call letters WDGY were based on the name of the founder Dr. George . In May 2006 the recordings started to beconverted to MP3 andsharedhere. . How could this format possibly be a winner on AM? The KDAN Remote Caboose Studio was used in the early 1970s for commercial remote broadcasts and for broadcasting from the Minnesota State Fair. Enter Bob Reed the news director. The station will feature top cuts from current albums along with a selection of singles, with no jingle package and segued sets. Unlike most metropolitan areas of our size, the Twin Cities did not have a black radio station until December 1964 when KUXL changed its format from jazz to R&B. But stay tuned. KUXLs broadcast license was voluntarily assigned from Edward D. Skotch to Greater Happiness, Inc. (presumably his company) on October 7, 1963. Format was Urban and they were targeting inner city Minneapolis. Jim Dandy, Perry St. John, Scott Burton, George Young, B. Mason Dean. CLICK IMAGES TO ENLARGE, KOMA Guide. Love it, Scott! There were baffles designed to permit travel only in one direction, so a fire in the vent-work should have just traveled out. In January 1973, KUXL officially went out of the R&B business at least for a while and began a talk show format. One day the station was just there, offering gimmicky, women-slanted programs, not attracting much attention. The new station would be broadcast at 1570 kilocycles, way at the top of the AM dial, at only 500 watts, daytime only. The manager was Roger D. Wilson, and in an ad for sales people he called the station Katy Radio.. In 2008, the station became WDGY after sister station 630 AM switched to Regional Mexican music, using the call letters WREY. CLICK ON IMAGE TO ENLARGE, WDGY Air Staff 1986. The station pushed the technological limits of the day and provided a lot of interesting exercises for WDGY engineers, but Dr. Young never got into regular broadcasts. A history of the station prepared much later explained that: In 1956 the owners of WLOL AM added one of the first FM stations. But the Country format was gaining acceptance among older baby-boomers and melding that growth with WDGYs big 50,000-watt signal gave new purpose to the station and validation to a growing, willing audience that perhaps Country musics time was coming. Jim Peterson, station manager for the last year, said no matter how much sense it made, nobody would buy commercials for a little 1,000 watt, AM daytimer station. With that in mind I had Charles Arlington record, as only he could, a theme line: Sixty Three. It is believed that the first transmission of the 120- or 125-line systemprobably the first telecast in Minnesotaoccurred on August 4 of that year, featuring a handshake between WDGY station personality Clellan Card and Minneapolis mayor William Kunze. Five or six foxes shake and gyrate on the stage each night to KUXL records, and Jones assures us they are the liveliest of them all. Note that one of the attributes of the station mentioned in the ad above is Awards. KRSIs owner, Park Broadcasting, which owned 18 radio and TV stations in 11 cities, asked Drake-Chenault Enterprises of Los Angeles to install one of its systems.

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